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Het begint bij inspiratie en het ontwerpen, gevolgd door een onderzoeksfase en samenwerking, tot en met het technisch perfectioneren en het voltooien van de serie met het slotstuk. Daarna volgen verkopen (galerie Rob Koudijs; PAN), verzamelen (V&A; Rijksmuseum), dragen (particulieren), exposeren (CODA; USA) en restaureren. Een bijzonder verhaal over overerving is de levensgeschiedenis van een collier van wijlen Dorelies Kraakman. Materiaaltechnisch ligt de nadruk op glas veelal in combinatie met andere materialen, zoals zilver en flock. Hiervoor werkt Nijland samen met glasblazer Edwin Dieperink, zilvergieter Steffan van Slooten, 3D print ontwerper David van der Veldt en sieraadontwerper Merel Slootheer. Door het samenbrengen van tegenstellingen in zowel inhoud als vorm, gaat hij steeds nieuwe uitdagingen aan in het maakproces waardoor een aantal nieuwe technische mogelijkheden zijn ontwikkeld, zoals het verwerken van glas in zilver, en een gietmethode die tijdens dit interview plastic perdu wordt gedoopt.</p>"}}]},{"typeName":"subject","multiple":true,"typeClass":"controlledVocabulary","value":["Arts and Humanities"]},{"typeName":"keyword","multiple":true,"typeClass":"compound","value":[{"keywordValue":{"typeName":"keywordValue","multiple":false,"typeClass":"primitive","value":"Evert Nijland"}},{"keywordValue":{"typeName":"keywordValue","multiple":false,"typeClass":"primitive","value":"sieraadontwerper"}},{"keywordValue":{"typeName":"keywordValue","multiple":false,"typeClass":"primitive","value":"sieraden"}},{"keywordValue":{"typeName":"keywordValue","multiple":false,"typeClass":"primitive","value":"materiaal en 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